Lejeune molds and presses paper pulp in compositions inspired by photos of the city sidewalk: traces of gum, neon construction markings, and paint that shift tone and color with wear over time. Responding to gravity and a selected set of constraints, Lejeune also builds sprawling machined metal pieces that contract and expand in response to their surroundings. Both artists conduct interactions between materials, blurring the line between artist’s hand and industrial process.