August 10 – September 15, 2024
August 10 – September 15, 2024
August 10 – September 15, 2024
June 29 – July 28, 2024
June 29 – July 28, 2024
May 18 – 25, 2024
October 6 – November 12, 2023
OCTOBER 6 – NOVEMBER 12, 2023
AUGUST 5 – SEPTEMBER 17, 2023
AUGUST 5 – SEPTEMBER 17, 2023
JULY 21 – 23, 2023
june 10 – july 16, 2023
november 3 – november 4, 2022
september 10 – october 30, 2022
july 9 – august 14, 2022
August 10 – September 15, 2024
August 10 – September 15, 2024
August 10 – September 15, 2024
June 29 – July 28, 2024
June 29 – July 28, 2024
May 18 – 25, 2024
October 6 – November 12, 2023
OCTOBER 6 – NOVEMBER 12, 2023
AUGUST 5 – SEPTEMBER 17, 2023
AUGUST 5 – SEPTEMBER 17, 2023
JULY 21 – 23, 2023
june 10 – july 16, 2023
november 3 – november 4, 2022
september 10 – october 30, 2022
july 9 – august 14, 2022
Installation view, Keeping Things Whole, works by Erica Mao.
Keeping Things Whole features a group of artists considering human engagement with nature and its rhythms. We are interested in the idea that it is increasingly difficult—and has perhaps long been unproductive—to draw fixed boundaries between human activity and an untouched natural world. The works in this exhibition redirect the landscape painting tradition by highlighting the tools and narratives through which we document and seek to understand our environment. Insofar as we shape our landscape, the landscape shapes us. Embedded in ever-changing ecological systems, we are never physically or psychologically separate from the natural world. Keeping Things Whole borrows its title from a 1979 poem by Canadian-born writer Mark Strand:
In a field
I am the absence
of field.
This is
always the case.
Wherever I am
I am what is missing.
When I walk
I part the air
and always
the air moves in
to fill the spaces
where my body’s been.
We all have reasons
for moving.
I move
to keep things whole.
Mark Strand, “Keeping Things Whole” from Selected Poems.
Copyright © 1979, 1980 by Mark Strand.
Keeping Things Whole features a group of artists considering human engagement with nature and its rhythms. We are interested in the idea that it is increasingly difficult—and has perhaps long been unproductive—to draw fixed boundaries between human activity and an untouched natural world. The works in this exhibition redirect the landscape painting tradition by highlighting the tools and narratives through which we document and seek to understand our environment. Insofar as we shape our landscape, the landscape shapes us. Embedded in ever-changing ecological systems,
we are never physically or psychologically separate from the natural world. Keeping Things Whole borrows its title from a 1979 poem by Canadian-born writer Mark Strand:
In a field
I am the absence
of field.
This is
always the case.
Wherever I am
I am what is missing.
When I walk
I part the air
and always
the air moves in
to fill the spaces
where my body’s been.
We all have reasons
for moving.
I move
to keep things whole.
Mark Strand, “Keeping Things Whole” from Selected Poems.
Copyright © 1979, 1980 by Mark Strand.
INSTALLATION IMAGES
ADDRESS
112 Water St.
Williamstown, Mass.
01267
HOURS
Thursday: 11 – 6pm
Friday: 11 – 6pm
Saturday: 11 – 6pm
Sunday: 12 – 5pm
ADDRESS
112 Water St.
Williamstown, Mass.
01267
HOURS
Thursday: 11 – 6pm
Friday: 11 – 6pm
Saturday: 11 – 6pm
Sunday: 12 – 5pm